
Site-Specific Video Installations: Glockengasse No9
Project, Exhibition, Site-specific installation
#1: Glockengasse No 9: site-specific video animation, 3:4, Loop
Claudia Larcher uses image and video footage found in the Viennese Glockengase 9 and the nearby area. In her exhibited video work, she extends the real space through “impossible dimensions”, using digital tools to duplicate and replicate single architectural elements, without considering the laws of physics or statics.
A virtual room gets created, that outreaches the real and passes over into the imaginary domain seamlessly. This virtual space, which can be experienced by the audience as a visual break, is examining the state of passively reflecting and warping structures.
www.kunstmafia.com/videoinstallation
#2: “Empty Rooms” in collaboration with Constantin Popp
video installation and acoustic composition
The composition „Empty Rooms“ is at the origin of the cooperation between Claudia Larcher and the composer Constantin Popp. Larcher created an animation in the format 16:9 for Popp’s compositions, which expand to infinity with the help of mirrors.
#1: Glockengasse No 9: site-specific video animation, 3:4, Loop
Claudia Larcher uses image and video footage found in the Viennese Glockengase 9 and the nearby area. In her exhibited video work, she extends the real space through “impossible dimensions”, using digital tools to duplicate and replicate single architectural elements, without considering the laws of physics or statics.
A virtual room gets created, that outreaches the real and passes over into the imaginary domain seamlessly. This virtual space, which can be experienced by the audience as a visual break, is examining the state of passively reflecting and warping structures.
www.kunstmafia.com/videoinstallation
#2: “Empty Rooms” in collaboration with Constantin Popp
video installation and acoustic composition
The composition „Empty Rooms“ is at the origin of the cooperation between Claudia Larcher and the composer Constantin Popp. Larcher created an animation in the format 16:9 for Popp’s compositions, which expand to infinity with the help of mirrors.




