The tour analyses digital cultural practice as an ongoing process between medial publics and pragmatic realities: conditions of urban contexts are analysed and made accessible for individual forms and languages of art, to open up new (often only temporary) free zones in the meshwork of public interest, rules, and a subversive spirit of research.

eSeL (aka Lorenz Seidler)
eSeL (Lorenz Seidler)
Living and working as an aesthetic life form in Vienna and the internet, Lorenz Seidler studied philosophy & art history and teaches Digital Art at the University of Applied Arts.
Since 2010 he develops the project Gazebo - gallery for public spaces and since 2011
the REZEPTION: art information bureau in Museumsquartier Wien.
eSeL provides a communication infrastructure for art events and documents and researches developments in contemporary arts through media culture. His art platform www.esel.at publishes a weekly newsletter "eSeL Mehl KunsTermine" (among other popular mailing lists), an extensive photo-archive along with an extensive online-database for art events. eSeL is also initiating, curating and conducting a vast number of art projects.
www.esel.at
Living and working as an aesthetic life form in Vienna and the internet, Lorenz Seidler studied philosophy & art history and teaches Digital Art at the University of Applied Arts.
Since 2010 he develops the project Gazebo - gallery for public spaces and since 2011
the REZEPTION: art information bureau in Museumsquartier Wien.
eSeL provides a communication infrastructure for art events and documents and researches developments in contemporary arts through media culture. His art platform www.esel.at publishes a weekly newsletter "eSeL Mehl KunsTermine" (among other popular mailing lists), an extensive photo-archive along with an extensive online-database for art events. eSeL is also initiating, curating and conducting a vast number of art projects.
www.esel.at
A series of devices mounted on the windows of the eSeL RECEPTION pulse light in interlocking sequences. The devices seem to be communicating with one another: each individual speaks an endless stream of varying pulses, but when considered together, patterns of movement, synchronicity, and a kind of conversation arises, as though the devices are performing a continuous electronic commentary on some unseen, endlessly unfolding event.






