The multi-mediated outreach of values for orientation – values that need to be represented – is limited. Those are values that an entire generation has worked on in order to dissolve away from the influence of authorities. Only those who are willing to change their minds, willing to leave the specialization of the harmonious pulse behind, are ready to move towards a new orientation and to, again, feel and fill the method of the least square, the method that used to act as the lowest common multiplier of a newly self-defining environment.
Social Sculpture is not only looking like sculpture, it also tastes like one. For this perceived conceptual space, concentrating our thought and wish on the dimensions of Now and Future, the fluidity, the flowing and freezing in the political space, are not an experience of the external.

An ocean, a swoosh, a digital noise that, like e-birds, twitters the proportions of a generation from the clouds, all humming along and joining in a canon on Freedom. But can tomorrow’s n-dimensional distribution of knowledge already become apparent in the context
of the design for a museum? Can planning processes leave behind the already remodeled venues and bring a triangle of Freedom Square, Iceland Square and “White Square” (the construction site) to tintinnabulate? Parametric perspectives of all those who are, already now, conscious of the digital architecture, – who believe in it or who have not forgotten the belief in yesterday’s finiteness –, are refining tomorrow’s triad sounds which, in fast progressions, are only contemplated for the length of 4’33.

A grid square. The quadrature of being.